Maestro: When and where to watch Bradley Cooper starrer Leonard Bernstein biopic on OTT

Bradley Cooper's biographical drama Maestro brought legendary music composer Leonard Bernstein to life. The film was released in theatres on November 22. Now, it's all set to make its digital premiere.

When and where to watch Maestro?

Following its limited theatrical release in the US, Maestro will premiere on December 22, just days before Christmas. It will make its streaming debut on Netflix.

A glimpse into Bernstein's world

The 2:44-minute trailer offers a glimpse into the life of the titular character, with an older Bernstein reflecting on his life story. "Music, it keeps me glued to life," he passionately declares in the voiceover. The narrative delves into various facets of Bernstein's life, including his sexuality, fame, music career, and his marriage to Felicia, a key figure in his life.

Maestro is described as a towering and fearless love story chronicling the lifelong relationship between Leonard Bernstein and Felicia Montealegre Cohn Bernstein. “Maestro is the towering and fearless love story chronicling the lifelong relationship between cultural icon Leonard Bernstein and Felicia Montealegre Cohn Bernstein. A love letter to life and art, Maestro, at its core, is an emotionally epic portrayal of family and love,” reads the official summary.

What do we know about Maestro?

Bradley Cooper takes on the challenging role of Leonard Bernstein. Joining him is Carey Mulligan, who portrays Felicia Montealegre, Bernstein's wife and lover. The star cast also includes Matt Boomer, Maya Hawke, and Sarah Silverman.

Bradley Cooper says he spent 6 years on Maestro

In an interview with Variety, Bradley Cooper revealed the arduous journey behind Maestro. The film took a staggering six years to complete, from the inception of the idea in 2017 to its wrap-up in 2023. Cooper, in conversation with longtime friend Emma Stone, shared insights into the challenges, backstories, and rehearsal anecdotes that shaped the film. He said, “But I knew that if “Maestro” was going to mess up, it was all on me. I was not beholden to anybody else. There was a freedom in that, as well as a huge burden.”