Afghans & flowers: Oriane Zerah captures ‘roses beyond the thorns’ in a war-torn country
Through the unexpected juxtaposition of Afghans and their flowers, Zerah says she wants to give voice to a previously concealed aspect of Afghanhood.
- Lifestyle News
- 4 min read
In her photographic essay ‘The flower project’, Oriane Zerah, a photojournalist based in Kabul, shares her sense of beauty, placing it in the most unexpected of places, allowing a renewed understanding of Afghanistan and its people.
The relationship between Afghanistan and flowers is decades old, with the country seen as a major cultivation source for poppy, saffron and roses. An Afghan-German initiative, “Roses for Nangarhar” project was also set up in 2007 to encourage poppy growers to switch to a legal, money-making flower. Apart from flowers being a major source of income, you'd see Afghans decorate their homes, vehicles and even clothes with fresh blooms.
Earlier in August, when Taliban was taking over Kabul, terrified families turned to flowers once again, and were seen handing out red and white roses to the fighters who had taken over their city - in an attempt to build bridges with them. In Afghani culture, red roses symbolise friendship while white mean forgiveness. Ironically, flowers were nearly wiped out during the previous Taliban regime as gardens were left with no one to tend them to.
Through the unexpected juxtaposition of Afghans and their flowers, Zerah says she wants to give voice to a previously concealed aspect of Afghanhood, allowing the viewers to unlearn stereotypes, prejudices and beliefs, enlightening them with a fresh perspective.
Read her conversation with Republic World here -
Can you tell the readers a little about the Flower Project, what was the thought behind the series?
I chose to use flowers as a common thread in order to share a personal vision of this country (Afghanistan) torn by war for more than forty years. This vision is imbued with more than a decade of travels across the country, including more than 5 years living in Kabul. I am very attached to Afghanistan and wish to portray its people - especially its men - in a way that is rarely done.
The photographs paint a beautiful story about a war-torn country, what according to you do flowers symbolise about Afghanistan and Afghans?
I believe that the relationship to nature, and to beauty is essential in a place where violence and horror are part of everyday life. The flower that represents life, however fleeting and fragile, is beauty within reach. Each Afghan house is decorated with flowers: in pots, planted in a garden, real or artificial. The financial situation or the size of the garden is never a barrier to planting flowers. Military checkpoints are often laden with colorful flowers, and fighters - including militiamen in more remote areas like to decorate their uniforms or hats with freshly picked roses.
How do you choose the subjects of your photographs?
One aspect of my work focuses on the specific relationship between Afghans as individuals and flowers. It mainly includes portraits of men whom I asked to pose with flowers, either as part of their work or their daily occupation, or in a more personal setting: at home, in their garden, or in the streets. I then ask them to describe to me what the flowers meant to them. This aspect of the project allows me to show the privileged relationship that the Afghan people have with flowers.
It also allows us to question the representation of masculinity in the collective imagination, and to question the binary vision of gender. In the West, due to its fragility and beauty, the flower is usually associated with the feminine, while the Afghan man is seen as a warrior, one of the major archetypes among male figures. However, for this project, the Afghan men did not hesitate for a moment to pose in front of my lens, surrounded by flowers, a rose in their hand or with a gun. By playing off the ambivalence of war and beauty, I wish to reveal an unexpected aestheticism and a renewed look at masculinity that had previously been concealed under the pounding seal of violence
The pictures you take portray a sliver of hope, flowers over guns. Do you think flowers would win one day and Afghanistan will witness peace?
At the end I wish this project to be an enchanting pictorial excursion through the Afghan vista, and while the country anxiously prepares yet again for more changes to come, what my pictures want to show is the very power of roses beyond their thorns.
Photos by: Oriane Zerah
Published By : Natasha Patidar
Published On: 11 December 2021 at 18:53 IST

