Shubh Mangal Zyada Saavdhan depicts the tale of two lovers Aman Tripathi (Jitendra Kumar) and Kartik Singh (Ayushmann Khurrana). The duo works together in the capital city of New Delhi. As their romantic relationship blossoms, they decide to visit Allahabad on the occasion of Aman’s sister’s wedding. Though they desire to convince Aman’s educated parents, their journey takes a difficult turn.
Helmed by Hitesh Kewalya, the romantic comedy film also stars Neena Gupta and Gajraj Rao in supporting roles. As a small-town lad, Aman dreads the impact of his confrontation with family. On the other hand, Kartik is bold, passionate and logical by nature, who leaves no stone unturned in expressing his love for Aman. However, their make-out session in the train takes a turn for the worse.
Laced with the family’s melodrama, Shubh Mangal Zyada Saavdhan features Neena Gupta and Gajraj Rao as Aman’s parents. The former tries to understand her son’s pain owing to her unconditional motherly love. But his father, who is a scientist by profession, makes it impossible for the duo’s love to flourish. We have compiled some of the best dialogues by Neena Gupta that you must check out.
When Aman’s parents get to know about his relationship with Kartik, they shake with embarrassment. Aman and Kartik express their love by kissing during the former’s sister’s wedding. Therefore, Neena Gupta whispers to Gajraj Rao that their only child is homosexual.
In this emotional scene, Neena Gupta thinks about her son. She asks her husband whether they are spoiling his life. The duo has been aware of their son’s attraction towards the same sex. However, they denied because of societal pre-conceived notions and judgments.
This hilarious scene from Shubh Mangal Zyada Saavdhan showcases Neena Gupta warning her husband (Gajraj Rao) for beating Kartik. She tells him that the police can arrest him for the same. Moreover, the bill for section 377 of IPC had to pass the day after.
In this scene, an annoyed Neena Gupta thinks that her son will bring shame in the family. Therefore, Gajraj Rao uses humour to depict their situation, which is worse than Neena Gupta's imagination. She then gets even more confused.
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